On the Seesaw

On the history of Anne Bancroft’s definitive role in William Gibson’s Two for the Seesaw, the nuances of becoming a character, and the importance of being seen.

Noirvember Notables: 2020

Popular fare in the Classic Hollywood blogger/watcher/TCM devotee community, Noirvember, affectionately Frankenstein-ing the month and film genre, entails a month’s watching of gumshoes, sharp-shooters, femme fatales, and crooked outsiders in pictures from around the world. Or, if you’re like me, this Noirvember entailed a month’s watching of Anne Bancroft, Farley Granger, and Yakuza films. Admittedly,… Continue reading Noirvember Notables: 2020