Horner and His Friends

A man and woman — white, in their late-twenties — circle each other in the woman’s apartment. Her name is Cynthia; she and the man, John, are having an affair. “They’re just tapes he makes so he can sit around and get off,” she tells John. Cynthia is talking about Graham, John’s estranged friend from… Continue reading Horner and His Friends

On the Seesaw

On the history of Anne Bancroft’s definitive role in William Gibson’s Two for the Seesaw, the nuances of becoming a character, and the importance of being seen.

Anne Bancroft Revisits the ‘20s (Fort Lauderdale News, April 1961)

— with the help of 1961 fashions Fort Lauderdale News (Fort Lauderdale, Florida); 30 Apr. 1961; pg. 134. Author: Sweeton Wood Neither of Anne Bancroft’s roles in Two for the Seesaw or The Miracle Worker gave anyone a chance to see her as the glamorous female she is–5’7″ in her stocking feet, with measurements that… Continue reading Anne Bancroft Revisits the ‘20s (Fort Lauderdale News, April 1961)

“Mother Courage” Scores High With Anne Bancroft (Oakland Tribune, May 1963)

Oakland Tribune (Oakland, California); 6 May 1963; pg. 40. Author: Theresa Loeb Cone NEW YORK–Anne Bancroft, who received her Academy Award as “Best Actress” last month by proxy, continues to star in the Broadway staging of Bertold Brecht’s Mother Courage, the production which kept her in New York during the Oscar hoopla.  Although Brecht, Germany’s… Continue reading “Mother Courage” Scores High With Anne Bancroft (Oakland Tribune, May 1963)

Excerpt from “The Voice of Broadway” (The Mercury, April 1963)

The Mercury (Pottstown, Pennsylvania); 4 Apr. 1963; pg. 4. Author: Dorothy Kilgallen. “You’ll never view a more inspired performance than that offered by Anne Bancroft in Mother Courage and Her Children—rank her now with Helen Hayes, Katharine Cornell and Judith Anderson—she belongs with the greats. I wish I could say Bertold Brecht’s heavy, wobbly message… Continue reading Excerpt from “The Voice of Broadway” (The Mercury, April 1963)