Chicago Tribune (Chicago, Illinois); 4 Apr. 1993; pg. 76. Author: Michael J. Bandler Anne Bancroft yearns to be back on the seesaw. “That’s the part l’d want to play again,” she said recently, referring to Gittel Mosca, the ingenuous, black-stockinged, bohemian heroine of Two For the Seesaw, the two-character play that marked Bancroft’s Broadway debut… Continue reading Offstage Bancroft (Chicago Tribune, April 1993)
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Anne Bancroft talks (The Philadelphia Inquirer, November 1984)
The Philadelphia Inquirer (Philadelphia, Pennsylvania); 16 Nov. 1984; pg. 81. Author: Paul Rosenfield (Los Angeles Times) “I retire after every film,” she says. But Garbo Talks has lured her back. Stars aren’t stars by accident. And walking down a street with AnneBancroft, one understands why. It’s not so much the public staring (or lack of… Continue reading Anne Bancroft talks (The Philadelphia Inquirer, November 1984)
Anne Bancroft: Happiness Is More Than “Oscars” (The Times Herald, March 1968)
The Times Herald (Port Huron, Michigan); 31 Mar. 1968; pg. 52. Author: Jack Ryan Five years ago she won an Academy Award—now she has been nominated for another: the actress may be the same, but the woman is different. The excitement of possibly winning a second Oscar in five years swirled around Anne Bancroft, infecting… Continue reading Anne Bancroft: Happiness Is More Than “Oscars” (The Times Herald, March 1968)
Anne Bancroft: She Won the Biggest Prize (The Pantagraph, March 1963)
The Pantagraph (Bloomington, Illinois); 31 Mar. 1963; pg. 82. Author: Jack Ryan Maybe she’ll be awarded an Oscar—maybe not; in any case, she’s already victor in a far more important ordeal. If things go on schedule a week from Monday, Anne Bancroft will be shucking off a coarse woolen shawl and tossing her peddler’s sack… Continue reading Anne Bancroft: She Won the Biggest Prize (The Pantagraph, March 1963)
Rhetorics of the Woman’s Film
The Invention of Adam’s Rib as an Antidiscrimination Text
Garbo Talks 